…gives me an intimate view on the nuts and bolts of a band’s workings. I’ve followed Honey Ryder since the band began, and over the past year have had my camera to hand whilst doing so and happily lugged a few things as well.
I love the different photography skills I have to develop and draw on to do band photography. In live gigs, the ‘delights’ of having to calculate correct exposures in darkness with randomly flashing lights, trying flash and drowning in flat light, keeping ISO low for better quality and the scene not appearing at all…then which lens? Wide angle to take in the full band, but loose close up wrenched expressions of loss in a love song? Closing in on too many a mouth by microphone, pouted lip or glassy eye, and risk the sense that there ever was a whole band making the gig come to life? Phew…
So I ditched the flash, learnt to switch fast between lenses, fired off semi-automatic to let the camera manage some of the exposure calculations, and kept the ISO high accepting some grain is part of the live atmosphere. Sorted.
Or not quite. Then switch photography to candid backstage style and aim to ninja about (less seen) in the green room to capture nuance and interaction. Oh I forgot the initial rigging and sound check shots for the band at the beginning! I love it, and half the time I turn the photos over to black and white to keep a journalistic feel, because its a story. Its a story of a band’s hard work, talent, creativity, dedication and relationships blooming in syncrony for the big moments on stage, and then deepening their experience together after it. It’s also a story of how I learn to interpret that in my images and my relationship with the band over the years. I’m a keen, close visual narrator.
More of my gig photography can be found at my kempspace photography gallery here
More about the band Honey Ryder here
Honey Ryder Fan Page here